{"id":55,"date":"2021-11-26T14:22:59","date_gmt":"2021-11-26T14:22:59","guid":{"rendered":"https:\/\/www.mvac.pt\/?page_id=55"},"modified":"2021-12-03T12:22:09","modified_gmt":"2021-12-03T12:22:09","slug":"14-segundo-milenio","status":"publish","type":"page","link":"http:\/\/www.mvac.pt\/en\/14-segundo-milenio\/","title":{"rendered":"14. Second millennium"},"content":{"rendered":"
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Joana Vasconcelos, Trafaria Praia, 2013<\/figcaption><\/figure>\n\n\n\n

The beginning of the 21st century is characterized by the exacerbation of artists personal identity, which makes it virtually impossible to uncover common lines of action. The strongest trait that can be identified is the importance of the conceptual component in the pieces. It\u2019s not the radical conceptualism of the sixties, where the materialization of the pieces was dismissed, but rather the valorization of a strongly conceptual punchline that ends up being a defining one and, at the same time, guarantees the artist's engagement in the milieu<\/em> of his time.<\/p>\n\n\n\n

These times observed an equalization of the media, the artists complete freedom to choose and the respect for their idiosyncrasies, both to their ideas and to the production of the pieces. Video now cohabitates with painting; the installations don\u2019t fight the sculptures for the main role, and the drawings transmute in all possible forms.<\/p>\n\n\n\n

It is also in this time that the art of social intervention returns, stronger, and that they gain visibility, often with strong controversy. The projects were based on a political agenda that brought to light fundamental issues such as decolonization and sexual diversity.<\/p>\n\n\n\n\t\t\n\t\t

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Pedro Gomes<\/strong>
S\/ T\u00edtulo, da s\u00e9rie \u201cHabitar\u201d, 1996
Esferogr\u00e1fica sobre papel
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Gabriela Albergaria<\/strong>
un jardin \u00e0 ma fa\u00e7on (a display) 2006
\u00c1rvore, Madeira, Papel e Terra,\u00a0L\u00e1pis de cor
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Gabriela Albergaria<\/strong>
1\/10 de terra cultiv\u00e1vel necess\u00e1ria para preencher o espa\u00e7o da galeria, 2019
Terra de batatal<\/div>\n\n\n\t
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Jo\u00e3o Pedro Vale<\/strong>
Are you safe when you are dreaming?, 2001
Sab\u00e3o azul e branco, borracha, corda, tecido bordado e vinil autocolante.
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Jo\u00e3o Pedro Vale<\/strong> +<\/strong> Nuno Alexandre Ferreira<\/strong>
Noivos de Santo Ant\u00f3nio, 2015
Transfer e acr\u00edlico s\/ tecido.<\/div>\n\n\n\t
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Jo\u00e3o Pedro Vale<\/strong>
Are you still awake?, 2002
C-print s\/ lona.<\/div>\n\n\n\t
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Jo\u00e3o Louro<\/strong>
On a Clear Day You Can See Forever, 2013
Colec\u00e7\u00e3o EDP<\/div>\n\n\n\t
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Jo\u00e3o Louro<\/strong>
Smuggling Words, 2015
Mesa met\u00e1lica, mala, livros triturados e l\u00e2mpada fluorescente<\/div>\n\n\n\t
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Jo\u00e3o Louro<\/strong>
BLIND IMAGE #185, 2011
Acr\u00edlico e plexiglass<\/div>\n\n\n\t
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Rui Chafes<\/strong>
Durante o Sono, 2002
Ferro
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Rui Chafes<\/strong>
Burning in A forbidden Sea, 2011
Ferro
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Rui Chafes<\/strong>
Thick Layer of Silence (on entering the world), 2000
Ferro<\/div>\n\n\n\t
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Vasco Ara\u00fajo<\/strong>
Exotismo \u2013 Physiologus 2014
Pata de elefante, Livros<\/div>\n\n\n\t
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Vasco Ara\u00fajo<\/strong>
Bot\u00e2nica #3, 2012
Mesas de madeira, fotografias digitais, molduras de madeira e metal<\/div>\n\n\n\t
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Fernanda Fragateiro<\/strong>
Concrete Poem, 2012
A\u00e7o inoxid\u00e1vel polido e 7 vigas de bet\u00e3o
Vila Nova da Barquinha<\/div>\n\n\n\t
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\u00c2ngela Ferreira<\/strong>
Maison Tropicale, 2007
Materiais diversos<\/div>\n\n\n\t
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\u00c2ngela Ferreira<\/strong>
Talk Tower for Ingrid Jonker, 2012
MDF cinzento, altifalantes, som<\/div>\n\n\n\t
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Joana Vasconcelos<\/strong>
A Noiva, 2001
Tamp\u00f5es OB, a\u00e7o inoxid\u00e1vel, fio de algod\u00e3o, cabos de a\u00e7o
Colec\u00e7\u00e3o Ant\u00f3nio Cachola<\/div>\n\n\n\t
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Joana Vasconcelos<\/strong>
Trafaria Praia, 2013
Navio-motor de passageiros (1960), revestimento e mobili\u00e1rio de corti\u00e7a<\/div>\n\n\n\t
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Joana Vasconcelos<\/strong>
Dorothy, 2007
Panelas e tampas de a\u00e7o inoxid\u00e1vel, cimento<\/div>\n\n\n\t
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Grada Kilomba<\/strong>
Plantation Memories, 2008
Livro<\/div>\n\n\n\t
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Grada Kilomba<\/strong>
Illusions Vol. I, Narcissus and Echo, 2017
Instala\u00e7\u00e3o v\u00eddeo com 2 canais de proje\u00e7\u00e3o, Edi\u00e7\u00e3o 1\/5
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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