{"id":49,"date":"2021-11-26T14:15:17","date_gmt":"2021-11-26T14:15:17","guid":{"rendered":"https:\/\/www.mvac.pt\/?page_id=49"},"modified":"2021-12-03T12:21:27","modified_gmt":"2021-12-03T12:21:27","slug":"12-pluralidade-pos-moderna","status":"publish","type":"page","link":"http:\/\/www.mvac.pt\/en\/12-pluralidade-pos-moderna\/","title":{"rendered":"12. The new post-modern plurality"},"content":{"rendered":"
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Cabrita, A Casa dos Murm\u00farios, 1990, Funda\u00e7\u00e3o de Serralves<\/figcaption><\/figure>\n\n\n\n

1983 marks, more than symbolically, the beginning of a new era for art in Portugal. The inauguration of the Gulbenkian Foundation's Centre for Modern Art, made a much-needed addition to the modern art scene in Portugal, a modern art museum. The exhibition \u201cAfter Modernism\u201d( Depois do Modernismo)<\/em>, which created a general consensus on the freedom and diversity of individual expressions, definitively freed from the narratives of the modernism and the avant-garde, they started the social artistry and legitimized a myriad of practices that together only had in common the desire for freedom, which was in line with the euphoria of the economic growth that agitated the country.<\/p>\n\n\n\n

The second half of the decade was full of new exhibition rooms dedicated to contemporary productions, we highlight the work of Luis Serpa who, in continuity with the exhibition called Depois do Modernismo<\/em>, creates the C\u00f3micos gallery, committed to the boldest artists in the scene and bringing relevant foreign artists to Portugal, and culminating with the Serralves Foundation in 1989, committed to building a reference museum and contributing to broaden the countries\u2019 art collection.<\/p>\n\n\n\n

Public commissioning was a factor in this era. The most visible and ambitious project was the Lisbon Metro, which included an ambitious decorative program, both for the new stations that marked the expansion of the network, and to the refurbishment of the older stations. Many city councils followed Lisbon\u2019s example and created relevant requests for work in the public space.<\/p>\n\n\n\n

From the aesthetic point of view, the main trait of this time is precisely the absence of unity. Art in Portugal was definitively freed from the stylistic corsets and even the organized groups that emerged such as Homeost\u00e9ticos<\/em>, were characterized by their individuality, and abstract principles that were not reflected in the visual arts.<\/p>\n\n\n\n\t\t\n\t\t

\n\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t \t\t\t\t \n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Leonel Moura<\/strong>
North Territory,\u00a01987
Fotografia, ferro, vidro
Colec\u00e7\u00e3o do Estado em dep\u00f3sito em Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Leonel Moura<\/strong>
S\/T\u00edtulo (Am\u00e1lia # 6,) 1987
Papel Fotogr\u00e1fico e Ferro,\u00a0Fotografia e Tinta acr\u00edlica
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Portugal<\/strong>
Eucalipto Homenagem, 1991
BMW 316i, Eucalipto globulus (12m)<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Portugal<\/strong>
Sem t\u00edtulo,\u00a01989
Tinta acr\u00edlica sobre tela
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Portugal<\/strong>
Sem t\u00edtulo,\u00a01990
Serigrafia sobre papel Fabriano
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Casqueiro<\/strong>
Sem t\u00edtulo,\u00a01985
Tinta acr\u00edlica e colagem sobre tela
Colec\u00e7\u00e3o do Estado em dep\u00f3sito em Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Casqueiro<\/strong>
Galeria, 1997
Tinta acr\u00edlica sobre tela
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Proen\u00e7a<\/strong>
S\/ T\u00edtulo (desenho de Natal) 1999
Papel,Ecoline e Tinta-da-china
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Proen\u00e7a<\/strong>
Sempre os Mesmos e as Mesmas, 1991
Cartolina,\u00a0Tinta-da-china
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Calapez<\/strong>
Sem t\u00edtulo, 1995
Papel Fabriano,\u00a0Serigrafia
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Calapez<\/strong>
Sem t\u00edtulo, 1984
Desenho sobre papel
Colec\u00e7\u00e3o da Funda\u00e7\u00e3o de Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Rui Sanches<\/strong>
Sem t\u00edtulo, 1991
Aglomerado e Contraplacado
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Rui Sanches<\/strong>
Sem t\u00edtulo, 2000
Contraplaca dode tola
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Rui Sanches<\/strong>
Tiroliro, 1988
Madeira e A\u00e7o
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jos\u00e9 Pedro Croft<\/strong>
Sem t\u00edtulo, 1993
Madeira e Gesso
Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jos\u00e9 Pedro Croft<\/strong>
Sem t\u00edtulo, 1986
M\u00e1rmore
Colec\u00e7\u00e3o do Estado em dep\u00f3sito em Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jos\u00e9 Pedro Croft<\/strong>
Sem t\u00edtulo, 2010
Ferro, vidro, espelho
Colec\u00e7\u00e3o da Funda\u00e7\u00e3o de Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Cabrita Reis
Compound group # ??, 2007
A\u00e7o
Colec\u00e7\u00e3o Berardo<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Pedro Cabrita Reis<\/strong>
A Casa dos Murm\u00farios, 1990
M\u00e1rmore
Colec\u00e7\u00e3o da Funda\u00e7\u00e3o de Serralves<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
 <\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\n\n\t\t\t \n\t\t<\/div>\n\t\t\n\n\t\t