{"id":382,"date":"2021-12-14T12:35:53","date_gmt":"2021-12-14T12:35:53","guid":{"rendered":"https:\/\/www.mvac.pt\/?page_id=382"},"modified":"2021-12-14T12:36:43","modified_gmt":"2021-12-14T12:36:43","slug":"antonio-soares-a-revolucao-de-maio","status":"publish","type":"page","link":"http:\/\/www.mvac.pt\/en\/antonio-soares-a-revolucao-de-maio\/","title":{"rendered":"Ant\u00f3nio Soares \u2013 The Revolution of May 28th of 1936"},"content":{"rendered":"<p>Ant\u00f3nio Soares was known in Lisbon as being a difficult person, easily irascible, and permanently involved in small conflicts and quarrels with the ones around him. There was, however, one exception: The director Ant\u00f3nio Lopes Ribeiro. He was a close figure to the regime, and was known to be the only person in Lisbon whose relationship with Ant\u00f3nio Soares didn\u2019t go through a rough patch.<\/p>\n\n\n\n<p class=\"translation-block\">In 1936, production of the movie \u201cA Revolu\u00e7\u00e3o de Maio\u201d began. It was a propagandistic project of the regime and aimed to show the politics of the New State in a better light. The initiative was developed by Ant\u00f3nio Ferro, director of the S.P.N (Secretariat of National Propaganda), and Ant\u00f3nio Lopes Ribeiro. Under pseudonym, the two fascists wrote the argument; Lopes Ribeiro was in charge of the production, and for the development of the artistic environment, they invited the painter Ant\u00f3nio Soares, a summit figure of Lisbon modernism in the last two decades. He always strived to keep apart from the tense political takeovers that animated the relations of the artists with those in charge.<\/p>\n\n\n\n<p>Ant\u00f3nio Soares designed the poster of the film, but his most relevant work was the study of the d\u00e9cors and definition in the environments. Five drawings made in graphite and charcoal, with generous dimensions, were found amongst what was left by the artist and are showcased to the public for the first time.<\/p>\n\n\n\n\t\t<!-- MasterSlider -->\n\t\t<div id=\"P_MS61b71c7157887\" class=\"master-slider-parent msl ms-parent-id-16\" style=\"max-width:600px;\">\n\n\t\t\t\n\t\t\t<!-- MasterSlider Main -->\n\t\t\t<div id=\"MS61b71c7157887\" class=\"master-slider ms-skin-default\" >\n\t\t\t\t \t\t\t\t \n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-00_soares_revolucao-de-maio_cartaz_1600.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>Film poster <em>A Revolu\u00e7\u00e3o de Maio<\/em>, 1937<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-01_soares_revolucao-de-maio_quarto-de-clara_2000.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>D\u00e9cor para o filme <em>A Revolu\u00e7\u00e3o de Maio<\/em>, Quarto de Clara, 1937<br \/>Grafite e carv\u00e3o sobre papel<br \/>58 x 43 cm<br \/>Esp\u00f3lio do artista na posse dos herdeiros<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-02_soares_revolucao-de-maio_2000.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>D\u00e9cor para o filme <em>A Revolu\u00e7\u00e3o de Maio<\/em>, 1937<br \/>Grafite e carv\u00e3o sobre papel<br \/>58 x 43 cm<br \/>Esp\u00f3lio do artista na posse dos herdeiros<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-03_soares_revolucao-de-maio_2000.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>D\u00e9cor para o filme <em>A Revolu\u00e7\u00e3o de Maio<\/em>, Tipografia, 1937<br \/>Grafite e carv\u00e3o sobre papel<br \/>58 x 43 cm<br \/>Esp\u00f3lio do artista na posse dos herdeiros<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-04_soares_revolucao-de-maio_2000.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>D\u00e9cor para o filme <em>A Revolu\u00e7\u00e3o de Maio<\/em>, sagu\u00e3o, 1937<br \/>Grafite e carv\u00e3o sobre papel<br \/>58 x 43 cm<br \/>Esp\u00f3lio do artista na posse dos herdeiros<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div class=\"&quot;ms-tab-context&quot;\"><\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div  class=\"ms-slide\" data-delay=\"3\" data-fill-mode=\"fill\"  >\n\t\t\t\t\t<img decoding=\"async\" src=\"https:\/\/www.mvac.pt\/wp-content\/plugins\/master-slider\/public\/assets\/css\/blank.gif\" alt=\"\" title=\"\" data-src=\"https:\/\/www.mvac.pt\/wp-content\/uploads\/2021\/12\/so-05_soares_revolucao-de-maio_quarto-de-barata_2000.jpg\" \/>\n\n\t\t\t\t\t<div class=\"ms-info\"><strong>Ant\u00f3nio Soares<\/strong><br \/>D\u00e9cor para o filme <em>A Revolu\u00e7\u00e3o de Maio<\/em>, quarto de Barata, 1937<br \/>Grafite e carv\u00e3o sobre papel<br \/>58 x 43 cm<br \/>Esp\u00f3lio do artista na posse dos herdeiros<\/div>\n\n\n\t<div class=\"ms-thumb\" ><div class=\"ms-tab-context\"><div 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});\n\n\t\t})(jQuery);\n\t\t<\/script>","protected":false},"excerpt":{"rendered":"<p>Ant\u00f3nio Soares ficou conhecido, no meio lisboeta, como uma pessoa de trato dif\u00edcil, facilmente irasc\u00edvel, permanentemente envolvido em pequenos conflitos e querelas com as pessoas com quem se relacionava. Havia, por\u00e9m, uma excep\u00e7\u00e3o. O realizador Ant\u00f3nio Lopes Ribeiro, figura pr\u00f3xima do regime, costumava dizer que era a \u00fanica pessoa em Lisboa cuja rela\u00e7\u00e3o com Ant\u00f3nio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-382","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/pages\/382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/comments?post=382"}],"version-history":[{"count":3,"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/pages\/382\/revisions"}],"predecessor-version":[{"id":385,"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/pages\/382\/revisions\/385"}],"wp:attachment":[{"href":"http:\/\/www.mvac.pt\/en\/wp-json\/wp\/v2\/media?parent=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}