{"id":27,"date":"2021-11-26T12:46:42","date_gmt":"2021-11-26T12:46:42","guid":{"rendered":"https:\/\/www.mvac.pt\/?page_id=27"},"modified":"2021-12-03T12:17:44","modified_gmt":"2021-12-03T12:17:44","slug":"5-modernismo-expressionista","status":"publish","type":"page","link":"http:\/\/www.mvac.pt\/en\/5-modernismo-expressionista\/","title":{"rendered":"5. Expressionist Modernism"},"content":{"rendered":"
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Dordio Gomes, Casas de Malakoff – Paris, 1923, Museu Soares dos Reis<\/figcaption><\/figure>\n\n\n\n

From a stylistic point of view, the route that was explored the most by Portuguese Modernist artists was characterized by a mannerism that was similar to the subjective experiences of Expressionism, or to a sense of debt to the freedom that characterized the impressionist artists pieces. Landscapes, portraits and still life were the genres selected as an opposition to the naturalists\u2019 preferences, who preferred petit genre and historical paintings.<\/p>\n\n\n\n

The big event was The First Salon of the Independent<\/em>, that took place in S.N.B.A in May of 1930. It spread to almost all artistic expressions, and most of the modern artists and architects participated in it. It was a catalog of original and irreverent content that helped spread the polemics around the hall and reinforced the modern position it held. For independent artists, it granted them with an aesthetic and professional honor that was only given to academics.<\/p>\n\n\n\n\t\t\n\t\t

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Dominges Alvarez<\/strong>
Adega do Galo, 1930
\u00d3leo sobre tela Colec\u00e7\u00e3o, Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
D. Quixote, 1934
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
Auto-retrato
\u00d3leo sobre cart\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
Louco, 1934
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
Casario e figuras de um sonho
\u00d3leo sobre cart\u00e3o prensado e tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
Paisagem, 1929
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dominges Alvarez<\/strong>
Sem t\u00edtulo
T\u00eampera sobre papel, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Bailarico no bairro, c. 1930
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Menino e varina, 1928
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Auto-retrato, 1936-39
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Auto-retrato, 1930-32
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Sem t\u00edtulo (Lissabon), 1930
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Fuga, 1938
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Sem t\u00edtulo, 1940
Tinta-da-china e grafite sobre papel, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
O homem, 1936
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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M\u00e1rio Eloy<\/strong>
Komposi\u00e7\u00e3o \u2013 Natureza morta, 1934
\u00d3leo sobre madeira, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dordio Gomes<\/strong>
Casas de Malakoff - Paris, 1923
\u00d3leo sobre tela, Museu Soares dos Reis<\/div>\n\n\n\t
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Dordio Gomes<\/strong>
Auto-retrato com natureza morta, 1924<\/div>\n\n\n\t
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Dordio Gomes<\/strong>
Ponte do Carroussel, 1922
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dordio Gomes<\/strong>
Sem t\u00edtulo, 1931
\u00d3leo sobre cart\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Dordio Gomes<\/strong>
\u00c9vora, 1938
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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J\u00falio dos Reis Pereira<\/strong>
Tarde de festa 1925
\u00d3leo sobre cart\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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J\u00falio dos Reis Pereira<\/strong>
O burgu\u00eas e a menina, 1931
\u00d3leo sobre cart\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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J\u00falio dos Reis Pereira<\/strong>
Espera, 1930
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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J\u00falio dos Reis Pereira<\/strong>
Nocturno, 1929
\u00d3leo sobre platex, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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Eduardo Vianna<\/strong>
N\u00fa, 1925
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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Eduardo Vianna<\/strong>
A revolta das bonecas, 1916
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
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Eduardo Vianna<\/strong>
K4 Quadrado Azul, 1916
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
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