{"id":24,"date":"2021-11-26T12:33:48","date_gmt":"2021-11-26T12:33:48","guid":{"rendered":"https:\/\/www.mvac.pt\/?page_id=24"},"modified":"2021-12-03T12:17:26","modified_gmt":"2021-12-03T12:17:26","slug":"4-modernismo-cosmopolita","status":"publish","type":"page","link":"http:\/\/www.mvac.pt\/en\/4-modernismo-cosmopolita\/","title":{"rendered":"4. Cosmopolitan Modernism"},"content":{"rendered":"
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Jorge Barradas, desenho para a capa de ABC, 1921<\/figcaption><\/figure><\/div>\n\n\n\n

Modernism, in-between wars in Portugal, can generally be divided into two paths that were followed and began to be displayed in art halls in this first decade. This path was followed to continue a tradition that had roots in Impressionism, and had its emphasis on the technique, a stylistic decompression that was fiercely opposed to the academical tradition and showed an individual expressionism \u2013 which was independent from the contents or themes of the pieces. The cosmopolitan modernists<\/em> were working in another direction, giving emphasis to objects and ambience, they pictured Lisbon as cosmopolitan, similar to Paris, Berlin or Vienna, a nocturnal city, filled with madness, although this never really happened outside of a small elite group.<\/p>\n\n\n\n

The first manifestations appeared in the twenties, in the collective halls. It got the most visibility in magazines\u2014where the goal was to make an audience and lead the new tendencies. One example is Ilustra\u00e7\u00e3o Portuguesa<\/em>, throughout the short period where Ant\u00f3nio Ferro was the editor, and Contempor\u00e2nea, \u201cA magazine specifically for civilised people - made to educate people\u201d.<\/em><\/p>\n\n\n\n

In 1925, architect Jos\u00e9 Pacheko and other modernists insisted that \u201cA Brasileira do Chiado\u201d<\/em>, a coffee shop, should order eleven paintings from seven different artists to decorate the recently renewed interiors, these paintings were displayed there until 1971. At the same time, nearby \u2013 in Restauradores \u2013 a nocturnal club ordered paintings and sculptures to the most irreverent modernist artists, this club had been founded in 1918 by M\u00e1rio Ribeiro, entrepreneur, admirer and collector of modernist art. These polemic interventions were repeatedly critiqued, which culminated in nominating this space a contemporary art museum, it was the only contemporary art museum, and the only contemporary aesthetic experience for most of the population.<\/p>\n\n\n\n

Throughout the 1920s, the occurrence of modern art halls and collective exhibitions was scarce and artists who could show their pieces in the few exhibition halls available, or in commercial spaces did it mostly to satisfy their clientele.<\/p>\n\n\n\n\t\t\n\t\t

\n\n\t\t\t\n\t\t\t\n\t\t\t
\n\t\t\t\t \t\t\t\t \n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo (caricatura de Jos\u00e9 Pacheco), 1912
Aguarela e tinta da China sobre papel, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo, 1921
Papel,\u00a0Tinta-da-china e Guache, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo 1927
Cart\u00e3o,\u00a0L\u00e1pis de cera e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo, 1923
Papel,\u00a0Aguarela e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo 1923
Papel,\u00a0Aguarela, Guache e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo, 1927
Papel,\u00a0Tinta-da-china, Grafite, Aguarela e Aguada, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Cabe\u00e7a de mulher, 1930
\u00d3leo sobre cart\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Jorge Barradas<\/strong>
Sem t\u00edtulo, 1922
Papel,\u00a0Guache e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Abel Manta<\/strong>
Jogo de damas, 1927
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Adriano Sousa Lopes<\/strong>
A blusa azul, 1925-28
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Sem t\u00edtulo 1922
Papel,\u00a0Tinta-da-china, Verniz e Anilina, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Sem t\u00edtulo, 1918
Papel,\u00a0Guache\" Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Um homem casado, 1921
Papel,\u00a0Aguarela e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
As banhistas, 1925
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Auto-retrato num grupo, 1925
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
O Beijo, 1912
Papel,\u00a0Tinta-da-china e Anilina, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Nu (para o Bristol Club), 1926
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Sem t\u00edtulo
Papel,\u00a0Aguada, Tinta-da-china e Guache, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros
Figurino para o bailado A Princesa dos Sapatos de Ferro<\/em>, 1918
Cart\u00e3o,\u00a0Guache, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Uma senhora muito magrinha, 1918
Papel,\u00a0Grafite, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Sem t\u00edtulo (para a Alfaiataria Cunha), 1913
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Almada Negreiros<\/strong>
Sem t\u00edtulo (para a Alfaiataria Cunha), 1913
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
No terrasse do caf\u00e9 des Plaires, c. 1925
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Composi\u00e7\u00e3o, 1925
Guache sobre papel, Museu do Chiado<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Auto-retrato, c. 1930
\u00d3leo sobre tela, Museu do Chiado<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo, 1914
Papel,\u00a0Aguarela e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo (capa para Ilustra\u00e7\u00e3o Portugueza<\/em>), 1921
Papel,\u00a0Grafite, Tinta-da-china e Aguarela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo (capa para Ilustra\u00e7\u00e3o Portugueza), 1922
Papel,\u00a0Grafite, Tinta-da-china e Aguarela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo (capa para Ilustra\u00e7\u00e3o Portugueza<\/em>), 1921-1922
Papel,\u00a0Grafite, Tinta-da-china e Aguarela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Retrato de Jos\u00e9 de Almada Negreiros, 1919
Papel e\u00a0Guache, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo
Papel,\u00a0Guache e L\u00e1pis de cor, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Jorge Nicholson Barradas
Papel,Guache, Grafite e Carv\u00e3o, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Sem t\u00edtulo, 1930
Papel,\u00a0Guache, Aguada e Tinta-da-china, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Natacha, 1928
Tela,\u00a0T\u00eampera, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\"\"\n\n\t\t\t\t\t
Ant\u00f3nio Soares<\/strong>
Retrato de Maria de Mello Breyner, 1932
\u00d3leo sobre tela, Colec\u00e7\u00e3o Gulbenkian<\/div>\n\n\n\t
<\/div><\/div>\n<\/div>\n\t\t\t\t<\/div>\n\n\t\t\t<\/div>\n\t\t\t\n\n\t\t\t \n\t\t<\/div>\n\t\t\n\n\t\t